• Stein - Guss - Bild - Bits
  Werke von Marco Andrea Ferronato (Stein, Guss) und Eugen Liengme (Bild, Bits)
  mit der Performance "sandandsound"
• Shedhalle Zug
• Contemporary Art, ART BASEL
• Zürich Tanzt 2016, Ausstellung "Körper" im Kunstkeller Zürich
  Film eins Film zwei
• Zürich Land
• Kunsthaus Oerlikon, Zürich
• Zimmerberg-Stiftung
• Kulturfonds Horgen
• Kulturfonds Adliswil
• Ankauf Horgen
• Kunstkeller am Wasser, Zurich, verschiedene Einzelausstellungen (1998, 2001, 2003, 2010)
• Galerie Schlüssel, Horgen, verschiedene Einzel- und Gruppenausstellungen (2004 - 2014)
• Fotobastei, Zürich, 2015
• Medienberichte: Art Profil, NZZ, Züri-Tipp
• Kunstkalender Horgen 2010
• zahlreiche Einzel- und Gruppenausstellungen in der Schweiz und in England

• Stones - Casts - Picures - Bits
  Work of Marco Andrea Ferronato (stone sculpture and casts) and Eugen Liengme (paintings and digital graphic)
  with performance "sandandsound"
• Shedhalle Zug
• Contemporary Art, ART BASEL
• Exhibition and Dance Performance, Kunstkeller Zürich
  Film one Film two
• Zürich Land,  curators choice
• Kunsthaus Oerlikon, Zürich
• Zimmerberg-Stiftung
• Kulturfonds Horgen
• Kulturfonds Adliswil
• Purchase by the City of Horgen
• Kunstkeller am Wasser, Zurich, various single shows (1998, 2001, 2003, 2010)
• Galerie Schlüssel, Horgen, various single and group shows (2004 - 2014)
• Publication in the arts magazine „Art Profil“, February 2003, edited by Dr. H. Orpel
• Art Calendar 2010, commissioned by the City of Horgen
• Numerous single exhibitions in Switzerland and England

Visiting an exhibition of Swiss artist Eugen Liengme did not initially call to mind what is generally associated with contemporary art. Or did it? Connotations to different periods in art history reflect in some of the ways this artist visualizes his quest into rendering the human form:

• nearly classical ones in the drawings
• almost expressionist ones in the directness of the brushwork in the paintings
• sheer archaic ones in the experimental use of fire and ember on the charred wood panels
• ritualistically staged ones in the installation work
• frescoesk in the way paint is made and applied

Leaving the exhibition I felt strongly connected to a process that links past and present. This artist explores ancient techniques and experimentally develops these to achieve acutely present results some of which are further enhanced by using the graphic potential of digital media. This work illuminates clearly how contemporary art is not an isolated phenomenon cut off from references to past achievements.

Vera Anosova, art historian, Moscow